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What Goes On Your Voice Over Demo?

One of the panels that took place at the Midwest Voice Over Conference was a demo critique. A few brave souls anonymously submitted their demos for a panel of experts to review and share their thoughts.

Sitting on the panel, moderated by J Michael Collins, where “Uncle” Roy Yokelson, David Goldberg, Cristina Milizia, Rodney Saulsberry and Joe Cipriano. With a panel like that, let me just say, God bless the people who submitted their demos for those ears to judge! I’m too chicken. 🙂

Here are a few of the takeaways from that panel…

What Goes On Your Voice Over Demo?

“Put on your demo the kind of work you want to do in the future.” This was a quote from Rodney Saulsberry, and it’s really great advice. When it came time for me to put together my new commercial demo, every spot on it is for a client I want to work with one day. It’s equal parts motivation, goal setting and law of attraction.

“Originality of characters is important for character demos. Not shades, colors or impressions of other characters.” Cristina Milizia offered this really great insight. You need to create your own characters in your own voice.

Uncle Roy discussed the importance of having a personal connection the scripts. When we worked together narrow down scripts that would be on my demo, this was a big deal. Because I was choosing brands I already wanted to work with, I had a much more personal connection to what I was reading in the booth. That definitely came through in my performance.

Another common theme shared by every panelist was the importance of range. A demo needs to demonstrate all the styles you’re capable off. Whether it’s authoritative, sexy, cool, friendly, passionate, or whatever. Range in this sense isn’t about characters or voices or accents or dialects. It’s about the performances you’re capable of delivering.

Make A Wise Decision

Your demo is one of the most important investments you’re going to make for your business. You want to make sure you’re getting it right. As you’re looking at the different options for who is going to produce it, these are a few of the things you’re going to want to consider.

Choosing the right producer is a big decision. Take your time, do your research, be prepared! Then choose wisely.

Read about my demo experience – What It’s Like To Record A Demo With Uncle Roy

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It’s Commerical Demo Weekend With Uncle Roy at Antland

Last year, while wandering a hallway at the Hilton Lake Las Vegas in Henderson Nevada, I was greeted by two men. Voice Actor, Anthony Gettig and Producer and Coach, Uncle Roy Yokelson. Though I’d never met either of these guys before, without hesitation they invited me to join them for breakfast. That’s exactly what I did.

Were it not for that chance meeting at WoVOCon II a year ago, this weekend I wouldn’t be traveling to New Jersey. Then again, perhaps it wasn’t chance at all. Between you and me, I don’t believe in coincidence. Instead, I believe God knows what we need, when we need it and He’s more than capable of orchestrating meetings between strangers.

Why I Need A New Demo

When you're producing a demo with Uncle Roy the Bagel King... this is how you prepare!
When you’re producing a demo with Uncle Roy the Bagel King… this is how you prepare!

When I first began discussing demos with Uncle Roy I was pretty blunt.

“Look, the truth is, I haven’t done a directed session in years. The idea of it intimidates me. I’ve never taken a drama class. I don’t consider myself an actor. My background is rip and read radio. I’m well aware the commercial market has changed. I’m even more aware I’m currently not qualified for it, which is why I’ve avoided it completely. Producing this demo is going to be a HUGE step for me well outside my comfort zone. I’m going to need a lot of work. I know it. I also know I trust you to take me where I need to go.”

I continued, “I’m making a great living for myself right now. My business continues to grow year after year. But I don’t want to stall out. If I’m going to go to a new level, I’m going to have to do this demo and put everything I’ve got into pursuing this market. No matter how uncomfortable it makes me in the beginning. I know it’s what I have to do. It’s time to do it.”

In a nutshell, this is what I told him. He’d attest to it.

It probably wasn’t the greatest set up, and poor Uncle Roy was likely wondering what the heck he was getting himself into. Not one to back away from a challenge, and more than capable of coaching and shaping me, though, Uncle Roy agreed.

That was the first step.

One Step At A Time

The journey to this commercial demo – for me – has been years in the making. Many months even passed from the time I first inquired with him last summer until the time we began coaching sessions. A lot of pieces of the puzzle had to fall into place.

Coaching was a given. Lots of it was expected.

Then there was the financial commitment. The price of a demo. The money to pay for all that coaching. Investments in equipment. Studio upgrades. Booking flights, hotels and a car.

Forgive me for saying it so directly, but, I wasn’t willing to do this half-@$$ed.

Am I going to be the next great commercial voice actor in North America? Well, probably not. Am I going to open the doors to opportunities that I’d otherwise never have a chance at. Without a doubt!

Never Stop Growing!

If you’re not growing, you’ll eventually peak. For most of 2015, I had a sense that I had peaked, or was getting really close.

I’m not the kind of guy that likes to get comfortable and settle in when I’m passionate about something. I’m the kind of guy that likes to take it as far as I can, and then figure out what it’s going to take to go to the next level.

Guys, don’t lose the spark. Don’t give up. Don’t settle.

People look at me and my business and assume I’ve got it all figured out and I’m exactly where I want to be. Truth is, I’ve figured a few things out and I’ve accomplished some of goals I’ve set for myself. But don’t kid yourself into thinking I’ve got it all together.

Through this blog, and the platform I’ve created for myself in this industry, I always want to use it to help people. To provide value through content, training, courses, coaching, etc. I also want to be 100 percent authentic.

I’ve been full-time in voice over since 2012 and I’m making a great living. It’s also taken me this many years to finally be ready to pursue a commercial demo and the commercial market. I’m not ashamed of that. I don’t hide it. In fact, quite the opposite. I share it so that if you’re struggling a bit, or you feel like things are moving too slow, you can see that you’re not alone.

This voice over game is a marathon. Not a sprint.

The next time you’re looking at how far someone else is ahead of you, stop.

The only race you need to run is your own and you’re free to run it as fast, or slow, as you see fit.

With that in mind… next stop… Antland Productions in New Jersey!

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The Globalization Of Voice Over Rates

This past weekend I watched a very interesting documentary titled, “Death By China.”

To summarize it in a few paragraphs… several years ago China became a member of the World Trade Organization. This, for the first time, opened up the doors to free trade between China and other nations. Perhaps, most notably, the United Sates.

Death By China

death-by-chinaIn the years that followed several things have occurred. First, the United States has accumulated a trade debt to China that numbers in the trillions of dollars. This is a result of a one way trade street. The US is importing goods from China, however, China is not importing goods from the US.

The second thing that occurred is many multi-national corporations moved their manufacturing from the United States to China. Jobs that were previously held by American’s, contributing to and building up the U.S. Middle Class, were now being shipped overseas to labour camps where workers can make as little as $0.40/hour.

Upside and Down

America loses jobs but many products immediately become cheaper. This is why you can buy a 50” flat panel television for a couple hundred bucks now.

Just take a look at the labels on the products and goods you’re buying. The vast majority of them now say, “Made In China.”

On one hand, as a population, we’re outraged. We don’t want to see people lose their jobs. Families lose their homes. On the other hand, we love our cheap electronics and clothes and shoes and such.

Most people also don’t understand the economic implications of trillions of dollars in trade deficits, not to mention the trillions of dollars lost in corporate tax due to multi-nationals moving operations overseas.

What’s Does This Mean For Voice Over

But what does this have to do with voice over?

For a couple years now I’ve specialized in voice over work for explainer videos. I’ve voiced hundreds of them for companies all around the globe. I’ve also worked with, and continue to work with, production houses all around the globe.

Each week I market my services to new production houses that create animated explainer videos and whiteboard videos. Some weeks a few, some weeks a dozen or more.

In the past several months I’ve noticed a trend.

More and more North American companies, services, and brands are outsourcing their video production services to overseas production houses.

Why?

Math.

The Globalization Of Production

Globalization-and-integrationAn animated explainer video that might cost a couple thousand dollars if produced in North America, will likely only cost a few hundred produced overseas. Sometimes, even less. Obviously the quality may not be the same. But think about it from the standpoint of a small business or start-up owner. If you can save thousands of dollars on a single video, odds are you’ll sacrifice a little quality.

I’m not going to turn this into a lesson on economics or an explanation of currency trading values from county to country. Quite frankly, I’m not smart enough for that anyway.

However, I will heed a warning.

The Globalization Of Voice Over Rates

Many overseas production houses simply can’t pay North American fair market value rates for voice over services. Think about it. When workers in foreign countries are sometimes working for a couple dollars an hour or less, how do you think they’re going to respond when you ask for $150 or more for a voice over?

Our currency and their currency aren’t on an equal trading field.

The economies don’t line up.

This is why, more and more, I’m receiving responses from production houses that are recruiting and hiring their voice talents from places like Fiverr and other discounted freelance sites. They pay $5, $10 or maybe $25 for a :60 or :90 voice over.

Often it’s not because they’re offended by my rates or unwilling to pay my rates. It’s simply a matter of economics and currency from one country to another.

What Can We Do To Fix It

rubiks-cubeSo how do we fix it?

There are a couple of things that we, as voice actors, need to take into consideration.

First, there needs to be an education process that takes place within our industry. An education that is passed down to amateur talent and those new to the business that are trying to establish themselves. Making fun of them and casting stones at them is not the answer. Nor is it productive.

We need to help them understand rates and market value for voice over services. This is one area where I’m grateful for an organization like World-Voices, whom I believe can help lead this charge.

Second, we need to look carefully at the companies we’re working with. There are a lot of overseas production houses with U.S. telephone numbers and a U.S. mailing address. It can be deceiving. They do this to draw in U.S. clientele. Often clients are none the wiser about where the actual business is located. All they see and care about is a video they thought was going to cost them $2,500 is now only costing $500.

Third, we need to stop working with super discounted production houses ourselves. I have several overseas clients I’ve worked with for years. They’re great companies, they understand value. They’d never try to get me to do a $25 voice over. Others, however, will always be able to find talent who will work cheap. This is inevitable. But, as the saying goes, you get what you pay for.

How many times have you voiced a project that is being redone because the original cheap VO was bad and the client was unsatisfied? I’ve done it many times. In fact, I just did it last week!

Finally, we need to encourage, work with and promote the North American based production houses that we partner with. We need to take pride in the quality of their work and in the level of excellence they provide. The more we can bring prominence to these companies, the better it will be for our industry as a whole.

Adaptation To A Shifting Reality

The purpose of this post is not to bash overseas production houses, nor is it to call out North American companies that employ their services.

Rather, the purpose is to educate voice actors on the economic dynamics that are playing a more and more prominent role in our industry. No different than how free trade with China has resulted in cheap TV’s for everyone, a global production market can, and is, resulting in a rate swing in the voice over industry.

It’s easy to sit in our studios and gripe about the newbies charging pennies for their services. The reality, however, is the issue goes far beyond that. Globalization is now driving prices down in the voice over business just as it has in nearly every other business.

It will be up to us to adapt and promote practices that can hopefully reverse, or at least, curb the trend.

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